Date of Award
2013
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Wallace, Miriam
Keywords
Gender, Sexuality, Literature
Area of Concentration
Literature, Gender Studies
Abstract
This thesis examines representations of non-normative gender and sexuality in three fin-de-siecle novels: The Well of Loneliness, Orlando, and Monsieur Venus. The first chapter deals with gender melancholia, gendered belonging, and the problematization of identity categories in The Well of Loneliness. The second chapter looks at performative gender, gendered displays of desire, and the subversiveness of relationships between women in Orlando. The third chapter focuses on the construction of gender roles in Monsieur Venus within a relationship of dominance and submission. Gender means something different to each of the protagonists—in The Well of Loneliness, gender is an elusive identity that does not correspond to its protagonist's physical body or the way society reads her; in Orlando, gender is not innate but a disguise that can be adopted for a variety of purposes; in Monsieur Venus, gender is a performance that allows its protagonist to dominate and control others. These three books all deal with these problems of (mis)representation and the challenge of accurately describing the complexity of an individual's gender and sexual identity.
Recommended Citation
Ryan, Emily, ""A STRANGER WITHIN THE GATES": THE CONSTRUCTION OF NON-NORMATIVE GENDER AND SEXUALITY IN THREE FIN-DE-SIECLE" (2013). Theses & ETDs. 6837.
https://digitalcommons.ncf.edu/theses_etds/6837
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