Date of Award
2022
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Anderson, Kim
Area of Concentration
Art
Abstract
Saint Sebastian has become a somewhat well-known symbol of queerness and homoeroticism, largely due to a pattern emerging within renaissance art that depicts him as scantily clad and in varying states of ecstasy at the moment of his initial martyrdom. This installation takes this somewhat surface-level association and draws personal parallels between the hagiography of Sebastian and a lived experience as a queer person living in the United States, using self-portraiture and poetry to encourage the viewer to interact with the piece and to draw these connections themselves. This work takes several artistic interpretations of the same story and seeks to work against the dehumanizing process of becoming a symbol, be it that of the saint or that of the caricature, and create a unique, intentional, and personal connection with the viewer.
Recommended Citation
Barker, Elizabeth, "I MUST BE BURNED ALIVE: PERFORMANCE, QUEERNESS, AND MARTYRDOM THROUGH THE LENS OF ST SEBASTIAN" (2022). Theses & ETDs. 6193.
https://digitalcommons.ncf.edu/theses_etds/6193