Facebook Sluts Transcoding between Voyeuristic Media and Figure Painting
Date of Award
2011
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Anderson, Kim
Keywords
Facebook, Figure Painting, Art
Area of Concentration
Art
Abstract
Despite differences in media, the predominant kind of pictures with human subjects being made now�digital photographs shared on the internet�have a place in the centuries-long art historical discourse surrounding representations of the human form. This paper is the written accompaniment to a thesis exhibition of thirteen oil paintings depicting nude and partially clothed figures. The paintings are interpretations of digital images from social networking websites and personal e-mail. Through my work, I hope to encourage a breakdown of perceived boundaries between digital and traditional artistic media in favor of an inclusive view of the history of images. These paintings are informed by Donna Harraway�s theory of hybridity as presented in Cyborg Manifesto and Lev Manovich�s concept of Transcoding between computer and cultural layers. By rendering large scale paintings of nude figures from user-submitted digital photographs, I intend to merge the problems of the digital nude with those of the nude in figure painting, allowing the discourses surrounding each type of image to influence each other in terms of both complications and understanding. Questions of privacy, objectification, voyeurism, sexualization, and agency become paramount. Rather than staking any specific moral claim, these paintings seek to open conversation about the methods and issues of representation in digital and painted images, questioning the conventions of looking in each genre and how these practices play upon each other.
Recommended Citation
Juergens, Dinah, "Facebook Sluts Transcoding between Voyeuristic Media and Figure Painting" (2011). Theses & ETDs. 4523.
https://digitalcommons.ncf.edu/theses_etds/4523
Rights
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