The Fetus in Black and White Art, Abortion, and the Fetus
Date of Award
2008
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Freedland, Barry
Keywords
Art, Sculpture, Drawing, Fetus, Abortion, Life, Human, Kollwitz, Kathe, Kruger, Barbara, Kahlo, Frida, Embryo, Propaganda
Area of Concentration
Art
Abstract
The Human Being series is a response to the issue of abortion, a source of major conflict between people. The goal of this artwork is to explore the question, "when does a human being begin?", comment on it, and present my own views. My intent is that the viewer may gain a new perspective on the issue from my work. In this paper, I explore political art and several political artists that inspired this series. I also go over several ways the fetus has been portrayed in art throughout history, and is being portrayed now in propaganda. The Human Being series combines drawing and sculpture to explore the status of the embryo or fetus as a human being or individual. Biologically, the question "when does human life begin?" can be answered. However, it is the interpretations of this answer by philosophers, religious figures, bioethicists, and other individuals that is the cause of disagreement. Eight major theories were chosen to be focused on.
Recommended Citation
Maslo, Lina, "The Fetus in Black and White Art, Abortion, and the Fetus" (2008). Theses & ETDs. 3988.
https://digitalcommons.ncf.edu/theses_etds/3988
Rights
This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.