Date of Award

2017

Document Type

Thesis

Degree Name

Bachelors

Department

Humanities

First Advisor

Michalson, Gordon

Area of Concentration

Religion

Abstract

This thesis approaches Paul Tillich’s theology of culture and its intersection with hip hop music as a contemporary art form. I explore Tillich’s conception of ultimate concern, his interpretations of expressionist art, and his admonishment of fascist regimes. Expressionist artists juxtapose symbols to disrupt the status quo, producing deeper meanings which may evoke ultimate concern in the observer. Tillich thus advocates for expressionist art that is endowed with Christian symbols, as he hopes to revitalize the Christian scriptures. Following an examination of Cornel West’s Afro-American prophetic Christianity and a brief overview of black musical tradition, I argue that hip hop satisfies Tillich’s criteria through two hip hop records: Kanye West’s “Jesus Walks” and Kendrick Lamar’s To Pimp a Butterfly. This music exhibits a juxtaposition of Christian symbols in the context of black spirituality and socioeconomic oppression, encouraging a shift in the observer’s worldview and spiritual life. Taking cues from Tillich, I examine the utility of these records for encountering the fascist undertones of the current political climate. This thesis suggests that a Tillichian lens proves helpful for understanding the religious and political functions of hip hop music and implementing them in one’s personal and communal life.

Download

Share

COinS