Date of Award
2013
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Hassold, Cris
Keywords
Cy Twombly, Queer Modernism, Modern Art, The Iliad, Alexander Pope
Area of Concentration
Art History
Abstract
Fifty Days at Iliam is the name given to a painting in ten parts by Cy Twombly. I begin this thesis with a description of the visceral negative reaction I had to first viewing these paintings. I attempt to subdue this reaction by decoding Twombly's unique visual language in relation to Alexander Pope's translation of the Iliad. I then examine Twombly's earlier works in order to find precedents for the themes in Fifty Days at Iliam. I end by situating Twombly's work within a postwar historical context. I argue that the imagery in Fifty Days at Iliam could represent both the Trojan war and the violent wars of the twentieth century. Throughout this thesis I approach Twombly's works through the lens of queer theory.
Recommended Citation
Johnson, Deirdre, ""HE CAN'T BE TALKING STRAIGHT" COMMENTARIES ON THE ARTIST, WAR, AND SEXUALITY IN CY TWOMBLY'S FIFTY DAYS AT ILIAM" (2013). Theses & ETDs. 4806.
https://digitalcommons.ncf.edu/theses_etds/4806
Rights
This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida Libraries, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.