From Amiri Baraka's Airplane Poems to Nathaniel Mackey's Ythmic Ships Poststruccturalism's I'mpact on experimental Writing in the African Diaspora
Date of Award
2011
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Zamsky, Robert
Keywords
Poetry, African American Literature, Post-Structuralism, Jazz, Postcolonial Studies
Area of Concentration
English
Abstract
This thesis focuses on two African American writers who make very different contributions to our understanding of a �black aesthetic.� The discrepancies between Amiri Baraka and Nathaniel Mackey�s attitudes towards writing can be attributed to a generational divide. While Baraka�s early project was imbued with 1960�s Black Power ideology, Mackey incorporates many of the ideas generated by the poststructuralist theorists in the 1970�s and 1980�s. These different theoretical climates greatly impacted their attitudes towards orality/textuality, performance, and gender. Chapter one discusses the status of speech-based poetics before and after poststructuralism emerged, noting poststructuralism�s challenge to the authenticity traditionally associated with the spoken word and its emphasis on text�s ability to reveal the slippage of signifiers. Chapter two treats the live jazz performance�s impact on Baraka�s and Mackey�s approaches to writing and performing their poetry, taking into account poststructuralist theories on performative identity. The last chapter examines the gender dynamics of both writers� work, looking at the influence of the masculinist attitudes found within the Black Arts Movement and Black Mountain poetic schools on Baraka�s project, as well as the ways in which Mackey�s work echoes the ideas of poststructuralist third-wave feminist theorists.
Recommended Citation
Somerville, Tess, "From Amiri Baraka's Airplane Poems to Nathaniel Mackey's Ythmic Ships Poststruccturalism's I'mpact on experimental Writing in the African Diaspora" (2011). Theses & ETDs. 4463.
https://digitalcommons.ncf.edu/theses_etds/4463
Rights
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