Date of Award

2011

Document Type

Thesis

Degree Name

Bachelors

Department

Humanities

First Advisor

Anderson, Kim

Keywords

The Grid, Modernist Painting, Kinetic Sculpture

Area of Concentration

Art

Abstract

This thesis began as an investigation of three-dimensional space through pattern, repetition, modulation and transmutation of geometric forms. In response to the formalist aesthetic of the modernist grid[1] seen in the works of artists like Piet Mondrian, Sol Lewitt, and Josef Albers, a body of work was actualized. Works have evolved into a further exploration, one in which the aesthetic nature of the grid is subverted and its logical beginnings devolve into consistently warped, imprecise, and affected representations. This thesis utilizes this logical chaos to relate the dynamic qualities of specific spaces, their constant devolution, and the capacity of the canvas to act as a window�a release�that provides the viewer access to them.

Rights

This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.

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