Subversion, Refraction and the Do-It-Yourself Proust: Autobiographical Intertexts of LA RECHERCHE
Date of Award
2009
Document Type
Thesis
Degree Name
Bachelors
Department
Humanities
First Advisor
Van Tuyl, Jocelyn
Keywords
Proust, Marcel, Makine, Andreï, Barthes, Roland, Autobiography
Area of Concentration
French
Abstract
This thesis is interested in the way in which experimental autobiographies and semi-autobiographical fictions establish an intertextual relationship with Marcel Proust’s À La Recherche du temps perdu. The primary texts of this thesis each invoke a different Proust to achieve varied goals. Roland Barthes refracts Proust, Proustian iconography, and Proustian style in his post-structural hybrid text Roland Barthes par Roland Barthes, which shifts between the generic tropes of memoir, photo-essay, literary criticism and theory. Russian-born writer Andreï Makine’s semi-autobiographical novel Le Testament français establishes a complex intertextual dialogue with La Recherche in order to interrogate its cultural specificity, exchanging Proust’s emphasis on time for an inquiry into language. A number of very recent pop-cultural works, including Phyllis Rose’s memoir A Year of Reading Proust, Alain de Botton’s parodic self-help book How Proust Can Change Your Life, and André Aciman’s collection of personal and literary essays in The Proust Project, to engage Proust and the reading of La Recherche. Through an inquiry into these texts, this thesis traces the evolution of Proust as a literary figure and La Recherche in changing historical moments and literary contexts.
Recommended Citation
Sharko, Madison, "Subversion, Refraction and the Do-It-Yourself Proust: Autobiographical Intertexts of LA RECHERCHE" (2009). Theses & ETDs. 4181.
https://digitalcommons.ncf.edu/theses_etds/4181