Writing Home Storyteling in Maxine Hong Kingston's The Woman Warrior and China Men

Date of Award

2003

Document Type

Thesis

Degree Name

Bachelors

Department

Humanities

First Advisor

Wallace, Miriam

Keywords

Kingston, Maxine Hong, Storytelling, Multicultural Identity

Area of Concentration

Literature

Abstract

This thesis explores the use of storytelling in Maxine Hong Kingston's The Woman Warrior and China Men. For Kingston writing is an explicitly political act which attempts to heal personal and collective traumatic wounds inflicted by American racism and traditional Chinese misogyny. Kingston's tool in the healing process is storytelling, which in The Woman Warrior and China Men consists of historical re-visioning and the appropriation and adaptation of mythic (both traditional and familial) stories. Kingston's telling of mythic stories in The Woman Warrior shapes ancestral tradition into a form which empowers her identity as an American woman, creates an intersection between her American experience and her Chinese heritage, and highlights the importance of her own role as a storyteller. Historical re-visioning in China Men works to introduce to the Eurocentric, dominant culture in the United States to the often traumatic experiences of Chinese immigrants. By telling the stories of Chinese ancestors in America, Kingston revisits the source of the traumatic wounds which played a large part in silencing the Chinese American community. Some of the central questions which I will attempt to answer in this thesis include: How is Kingston's telling of history different from a traditional, 'authoritative' account of the same events, and with what significance? In what ways are mythic and fainilial stories adapted or creatively supplemented, and to what effect? And, how does the narrative structure of these books affect the interpretation of Kingston's storytelling?

Rights

This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.

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